“Everyone wants to know art. Why not try to understand the song of a bird?…people who make an effort to explain pictures are generally barking up the wrong tree.” – Pablo Picasso. What Picasso says about understanding art is extremely related to the way we approach Large Abstract Painting Canvas. Many people believe that abstract paintings must have a specific meaning of some sort, that could be clearly understood and articulated if only they knew how. This misconception is not helped by the endless supply of people prepared to spout nonsense about what they believe the artist was attempting to say. The almost inevitable consequence of this situation is that people can either feel like they are being excluded from sharing in some secret knowledge, or alternatively conclude that abstract painting is actually all a sham. Either way, the result is that many people do not feel well-disposed towards modern art or abstract paintings.
I certainly identify with Picasso’s remark as far as my very own paintings are concerned. Should I had a specific message or a which means that I could articulate in words, i then would articulate it in words – the painting would have no purpose. The entire reason for creating an abstract painting is that it embodies something that only it can, in a way that cannot be put in words. It is really not an essay this is a painting – it encompasses and expresses things in a language which is unique for the medium of paint. This is why we should not make an effort to ‘understand’ abstract paintings in the manner people sometimes feel they ought in order to.
The viewer should not search for a clear narrative within an abstract painting – it is not going to tell a story, or refer to another ‘subject’ in the same manner that the figurative painting will. But that does not mean there is absolutely no meaning or no subject, or that abstract paintings cannot contact and move people. When asked about subject material, the Abstract Expressionist artist Jackson Pollock said, “I am the niche”. Pollock’s statement is not only true, it is inevitable.
The experiences, personality, memories and mood in the abstract artist cannot help but be fed to the Large Black and White Art when the artist approaches the job in an open and honest way. I do not need an outside subject or idea before I can create a painting – I simply begin. The fact that I am just me without any-one else is the reason why my work different to anyone else’s, and this is also true of all the artists. The colours I choose, the marks a make, the accidents I select to leave, or even to obliterate, these are everything that I choose due to who I am just.
If you decide to present several different artists with similar basic design over a canvas and ask them to get a brush and develop the painting, the differences in the things they would choose to do will be enormous. I have watched other abstract artists at the office on paintings and thought “I would personally never in a million years have chosen that colour and place it there.” Not because I believe that it is wrong or bad, but because they are who they are and (to quote that other leading artist, Morrisey!) “only I am just I”.
Abstract paintings – There are numerous great varieties of painting available, arising from a wealthy art history which includes seen movement after movement. The phrase abstract art is often used a blanket term to describe non-representational art – this is the lack of recognisable subjects. Abstract art was connected to the rise of modernism over the last century, getting into the mainstream with abstract expressionism in post-war art yet still continuing to influence artists today.
What brought about the qualities we have seen in abstract art? The flattening in the artist’s canvas surface is certainly one major quality, as artists moved far from a convincing illusionism towards broader-minded thinking. With the invention of photography releasing the artist from painting as a method of recording reality, they began seeing the canvas surface being an object in their own right, using the canvas as being a single, flat expansive surface. Paint ‘acted’ and affected the flat surface and began to form its own qualities according to the way it was handled. The paint could exhibit ‘personality’, it had their own dimensions and opened up a range of xsjvnx techniques we percieve in artwork with the last century. One of the primary reasons artists began Large Custom Paintings in an abstract way was the opportunities for greater creativity. It allowed for a greater selection of expression and the development of ideas which were not reliant on representing reality any more.